![]() ![]() EditReady 22.2: i mproved accuracyĪlong with a new color conversion pipeline, this new version of EditReady also brings greater processing accuracy. By following this process, the look of on-set and creative LUTs is preserved throughout the whole pipeline. The software then automatically applies the correct output LUT after the colorspace conversion is complete. Moreover, you can also set a specific camera manufacturer’s color model as your target colorspace, so there’s no compromise on dynamic range. Then, the software takes care of the rest by properly handling the colorspace conversion. Image credit: HedgeĪll you have to do is choose between an SDR (Rec.709) or an HDR workflow (PQ or HLG). Hence, users don’t need to worry about diving into the technicalities of colorspaces, gamuts, and gamma curves. With this new panel, the software takes the original, bulky RAW footage and automatically converts it into a more manageable format (such as ProRes or DNx). The latest version of EditReady introduces a new Color Conversion Panel that aims at improving efficiency and automating color management workflows, while still providing manual control and full flexibility if needed. Image credit: Hedge EditReady 22.2: new Color Conversion Panel These also include EditReady, a transcoding tool that is now receiving an update fully focused on preserving the look of your original footage, while providing more editable files. The company offers a series of tools to make life in post easier. Here’s where Hedge’s mission of automating and simplifying modern post-production workflows comes in. This is especially true when working with mixed footage from multiple camera brands. However, today’s jungle of different color gamuts and gamma curves can cause quite a few headaches to post-production professionals. The world of high-resolution RAW and HDR video is making us experience true-to-life images like never before. EditReady 22.2 now comes with a new color conversion panel, improved precision, and added support for Sony Uncompressed RAW and X-OCN formats. Hedge has recently introduced an update for their transcoding software with a focus on simplifying color management workflows. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Budget.keyboard_arrow_rightGear Guides by Type.There is a free trial available if you wish to try before you buy. I’ve used EditReady for many years and it’s a fast and reliable way to do more than just transcode. This update is recommended for all users and is free for Version 2.0 users. Saves space and time if say half of a clip isn’t needed. This is handy as well because you can transcode to a more edit friendly codec like ProRes at the same time.Īnother nice feature is the ability to scrub your clips and trim them before transcoding. With Fujifilm not fixing the 4GB file limit with this weeks firmware update on the X-T3 you can use EditReady 2.5 to span as many of the clips you like. Miscellaneous speed and stability improvements.Fixes hang that occurred converting some filmic pro clips.Fixes bug that wouldn’t recall overlay settings in command line transcodes.Fixes bug that could cause audio dropout in 24p to 25p frame retiming.Fixes visual styling in macOS 10.14 Mojave dark mode.Adds clip duration to metadata displayed in info views.Adds clip trimming – set in and out in preview to transcode a region of the clip. ![]() In the latest 2.5 update, a number of frequently requested features and enhancements have been added. EditReady is a simple tool that lets you transcode in bulk to an easier editing codec like ProRes. ![]()
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